Linearity, 2020
Circulation, 2020
DomestiCity, 2019
Bedroom Games, 2023
Heavy Sleeper, 2022
Mop Up, 2022
Spreadsheet, 2019
Saffron, 2017
Space Invaders, 2021
Balls Out, 2023
Centre Spread, 2023
All Washed Up, 2022
Half Measures, 2022
Triangulation, 2018
Holding Pattern, 2023
Underbrush, 2025
Down the Line, 2024
Towel Rail, 2019
On the Fence, 2022
Bench Warmer, 2024
Skin Care, 2024
Both Ends Meat, 2020
Sea Floor, 2023
Roll With It, 2023
Hong Kong has a storied history of street life: looking back at old photographs of the city, the street was an extension of the home, a respite from the cramped, dimly lit tenement buildings and squatter camps that millions called home. As the city developed, this open air community gradually faded – but Hong Kong still retains traces of its al-fresco formative years.
Step outside on any sunny day and it won’t take long before you spot someone’s tighty whities fluttering in the breeze high above the street. While locals try their best to stay out of the sun, some citizens are willing to go to any lengths in chasing the light, taking to the streets once again to air their laundry – and any number of sundry goods – in public.
Whether through habit or necessity, this practice has a secondary effect: blurring the divide between private and public space. Though seen by some (namely security guards and their ilk) as a nuisance, it also imparts an unexpected sense of life, vitality and resourceful creativity to underutilised public spaces. While locals try their best to stay in the shade, these guerrilla installations are left to soak up the sun, helping to ward off the damp and mould that thrives in Hong Kong’s humid climate.
The Sun-Dried series is a record of my observations, a light-hearted celebration of this uniquely local phenomenon.